From saxophone orchestra to wind symphony, Katia’s latest piece showcases woodwind in a new and innovative way. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Alice Chance explains why witchery, rather than madness, is the focus of her latest composition.
Andrew Ford introduces his new electric guitar concerto for Zane Banks and the Adelaide Symphony Orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ross Edwards introduces his new double concerto for saxophonist Amy Dickson and percussionist Colin Currie. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
James Ledger explains why he's swapped lute for electric guitar in his exploration of four Shakespearean monarchs.
Composer Barry Conyngham prepares to launch his emotional stories of rejection and reconnection into a brave new world. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Paul Stanhope explains how the melancholy music of John Dowland became the inspiration for his upbeat new concerto. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Steve Vizard tells the story behind his new musical collaboration with Paul Grabowsky. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
With Voyage to the Moon, Michael Gow has made something new out of something old along with the late, great Alan Curtis. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Sally Whitwell hopes her new musical might throw a spanner into the works of the usual commercial Christmas machine. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Inspirational thinkers like Steve Jobs, Nelson Mandela, and even Professor Stephen Hawking, get the Twist treatment. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The composer admits to an obsession with the passage of time in his latest work for the West Australian Symphony Orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Mark Isaacs reveals how, in his imaginative new chamber symphony, it will be the voice that rocks the cradle. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
