Review: Orpheus & Eurydice (Opera Queensland, Circa)
The asylum setting is problematic and stale but see this to be moved by the singing and astounded by Circa's input.
The asylum setting is problematic and stale but see this to be moved by the singing and astounded by Circa's input.
Opera Queensland and Circa Contemporary Circus are teaming up to tackle Gluck’s story of love and loss. Circa’s Yaron Lifschitz discusses his powerful vision for the opera, which he says is driven by desire.
Contemporary circus company Circa has been welcomed into the fold as the framework governing funding for Australia’s largest arts organisations gets a shake-up.
To music by Schubert and Stravinsky, Circa gives us a thrillingly athletic portrait of civilisation's destruction and rebirth.
The Australian circus company's new work for the Brisbane Festival pairs Stravinsky and Schubert.
The versatile, busy UK composer talks about her sublime score for Memorial opening soon at Brisbane Festival and London’s Barbican Theatre.
The Australian Brandenburg Orchestra celebrates 30 years with a trio of baroque blockbusters and a glimpse of the future.
David Berthold has divided this year's program into three acts, with highlights including Peter Grimes, Memorial and QSO's Symphony For Me.
A top-notch, diverse line-up makes for a cracking start to this year's Adelaide Festival.
Yaron Lifschitz has condemned what he describes as a “government entrenched oligarchy of privilege”. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in