Critics salute Victoria's deep and adventurous opera culture.

Wild dogs and new tricks as Circa bounds back into Brisbane.

Paris in the 1920s comes vividly to life in the ACO’s stylish and inventive homage to Cocteau and Les Six.

Eighty-five minutes of breathtaking physical performance combined with exquisite playing of Bach’s supremely intellectual music.

QSO and Brisbane’s ingenious Circa reached stratospheric heights in a world first circus interpretation of Stravinsky's The Rite of Spring. 

Lifschitz “arguably one of the leading artistic entrepreneurs of the day" says International Society for the Performing Arts.

Iestyn Davies to star as Orpheus alongside Australian soprano Samantha Clarke in one of the key productions of the 2025 festival.

This acrobatic take on Gluck's opera may not be everyone’s cup of tea, but it’s full of spectacle and interest.

ACO's 50th birthday is cause for celebration, says Richard Tognetti, but no reason to sit on one one's laurels.

Restoring the mythic nature of Virgil’s epic to Purcell's Baroque masterpiece, Yaron Lifschitz sets a new benchmark for opera production in Australia.

This starkly beautiful production, performed by circus artists alongside the singers, feels fresh, modern and exciting.

A dissonant and challenging piece exploring identity and masculinity with few of the thrills of the circus.