Review: A Poet’s Love (Helen Charlston, Sholto Kynoch)
Helen Charlston pairs Schumann's poet-lover with a new song-cycle by Heloise Werner.
Alexandra Coghlan is the classical music critic for the New Statesman, and also writes for The Independent, The Times, Opera, Prospect, Gramophone and The Monthly. She was formerly performing arts editor at Time Out Sydney and editor of Sinfini.
Helen Charlston pairs Schumann's poet-lover with a new song-cycle by Heloise Werner.
A musical overview of the many voices of a neglected British polymath.
A solo recital debut well worth the wait from an exciting French soprano.
Bembo’s opera is an intriguing operatic footnote to musical history.
A heady plunge into the fin-de-siècle salon from the talented Dutch baritone.
A Belgian soprano and a Polish ensemble serve up a true Venetian delicacy.
A vibrant new account of Massenet's Biblical epic.
New repertoire and a new voice from the star Polish soprano.
Andreas Scholl sprinkles his magic on the music of a little-known Czech composer.
The Sixteen blows the dust off the Victorian partsong tradition.
A composer's subtle, generous homage to the music of the past.
An American in Paris as Oropesa shines in French bel canto.
No less than all of human existence is mined in this weighty song-recital.