Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
A chat with the man who held his nerve to see Hobart Baroque rise like a phoenix in Queensland. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Hugo Weaving talks about his ‘love affair’ with one of the 20th century’s knottiest writers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Dramatically astute interpretation of Bach’s almost-operatic masterpiece. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Much choral food for thought as Paul Stanhope passes the baton. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A small herd of camels aren’t enough to keep this ship of the desert afloat.
In an exclusive interview the Dutch virtuoso talks about Brahms, her Stradivarius and her musical family.
Wagnerian stars Oleg Bryjak and Maria Radner were among the 150 people on board.
Celebrated baroque orchestra to tour a pair of concerts to Queensland.
Limelight takes a look at why Donizetti’s Lucia di Lammermoor still gets us going gaga. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The arts offers many ways to connect, reflect, express and emote.
City of Paris criticised for refusing a plaque to honour the late great composer.
Baroque bouquets aplenty, if only the garden had been a little smaller.
One of the world's very finest choirs transports us to the gates of heaven.
