Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Ex-pats Kelly Lovelady and Ruthless Jabiru plan to play one of the composer’s final commissions. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★½ Kristian Bezuidenhout paints a portrait of Amadeus in his own time. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Superstar tenor’s Lehár brings down the house as well as the underwear at the famous Last Night. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Controversial Darwin professor’s latest research sheds light on sibling’s musical relationship. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The period keyboard wizard reveals the secrets of his unruly instrument and why playing it is like musical bonsai. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Paul Dyer talks to Limelight about friends old and new and the joys of programming. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Caroline O’Connor carries the ship, but too much is lost overboard. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Neat programme makes Gill’s 6×3 add up to rather more than 18. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Dutoit’s technicolor Ravel and Debussy, plus Berlioz with 350 singers! Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The soprano shares her thoughts on the role she sang earlier this year with the Sydney Symphony Orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Surprisingly homogeneous excellence from quartet in transition. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
And three more years of Principal Conductor Asher Fisch is the icing on the cake. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Even without an orchestra, the People’s Diva came, sang and conquered.
