Review: Chaya Czernowin: Heart Chamber (Deutsche Oper Berlin)
Opera takes on love with a score inspired by light dancing on a spiderweb.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Opera takes on love with a score inspired by light dancing on a spiderweb.
The young Australian violinist will perform for a distinguished international jury via a video recital in the semi-finals of this year's prestigious Menuhin Competition.
Intriguing verismo rarity from the man who finished off Turandot.
One man, 24 hours of new music, no sleep. How does Adam Page aim to survive? He discusses his new project at The Lab in Adelaide.
Tom Donald's new composition Honour of the Season seeks closure as it reflects on the trauma of war.
Superlative soloists and compelling chamber music from a quartet on a mission.
The New York Phil's first Black Principal talks neglected composers and #TakeTwoKnees.
This month’s concert highlights from ABC Classic, independent radio and streaming.
A Belgian choreographer and Gluck make perfect bedfellows, Schnittke wins a convert and Osmo Vänskä delivers an unforgettable Mahler 10.
Sir Simon Rattle and bass-baritone Gerald Finley talk to Clive Paget about how Janáček spun something so profoundly philosophical out of a tale of foxes in a forest.
What’s happening on stage this month? We’ve put together a list of the most exciting events taking place in May 2021.
Vänskä's revelatory account lends unique conviction to Mahler’s final thoughts.
With Richard Tognetti and his players embracing change, Bach and the Beyond certainly feels like a taste of things to come.