Sydney Philharmonia Choirs celebrates the long road back to live performance.

Stellar singing and dynamic pit-work rescue muddled futurist staging.

Christian Thielemann offers pace and detail despite mixed bag of soloists.

Based in London, Brisbane-born conductor Dane Lam had a diary full of international concerts, then COVID struck. He and his fiancée decided to return home – and it’s turned out better than he ever dared hope.

The pianist tells Clive Paget about his new Liszt album, Limelight's Recording of the Month in April.

Sex-crazed nuns and a Swedish trombonist’s tribute to Wollongong headline a month of new takes with plenty of surprises.

As one of the busiest maestros on the planet, Russian-British conductor Vasily Petrenko lost umpteen engagements because of COVID. He talks to Clive Paget about how he has used the unexpected hiatus – from recording video interviews to growing tomatoes and a beard.

The recording is both vivid and natural, with the whole judiciously planned recital throwing new light on Stanford as song composer.

Ahead of Pinchgut’s performances, Erin Helyard discusses tackling Monteverdi's masterpiece.

Zimmermann and Hrůša are unbeatable in concertos everyone should know.

Cerha serves up a Technicolor feast in a red-blooded curiosity from 1926.

Directorial genius brings Prokofiev’s sex-and-exorcism-fest to life.