In the Limelight: December 2020
Catch up on what's been in the Limelight with the top arts stories to recently make headlines.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Catch up on what's been in the Limelight with the top arts stories to recently make headlines.
Icelandic pianist Víkingur Ólafsson’s intriguing coupling of Debussy and Rameau sweeps the board.
The winner of our 2020 Recording of the Year discusses Rameau, Debussy and Australia.
Paavo Järvi talks to Clive Paget about his recording of Franz Schmidt's symphonies, Limelight's Recording of the Month in December.
Early music leads the pack; Skelton’s Grimes at last; in praise of unknown composers; and Christmas cheer, anyone?
Find out what's on stage and streaming online in December from Limelight editors Jo Litson, Angus McPherson and Clive Paget.
Australian-based and international soloists feature in a series that includes the return of Circa, with each concert also going digital.
The Sixteen's founder reflects on how stones might talk, or better still, sing as the ensemble releases an online series called A Choral Odyssey.
Tenorial champions square up for thrilling bouts of vocal sparring.
After playing with the Australian String Quartet for seven years, the cellist talks difficult decisions, special moments and why it's time to delete some phone Apps.
Christophers serves up more musical puffery to please the Merry Monarch.
The two guitarists take us behind the scenes on their duet album, which is Limelight's Recording of the Month in November.
Pinchgut Opera's rich and resourceful film showcases Barbara Strozzi in a feast for eyes and ears.