Australian Brandenburg Orchestra announces its 2021 NSW Season
Australian-based and international soloists feature in a series that includes the return of Circa, with each concert also going digital.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Australian-based and international soloists feature in a series that includes the return of Circa, with each concert also going digital.
The Sixteen's founder reflects on how stones might talk, or better still, sing as the ensemble releases an online series called A Choral Odyssey.
Tenorial champions square up for thrilling bouts of vocal sparring.
After playing with the Australian String Quartet for seven years, the cellist talks difficult decisions, special moments and why it's time to delete some phone Apps.
Christophers serves up more musical puffery to please the Merry Monarch.
The two guitarists take us behind the scenes on their duet album, which is Limelight's Recording of the Month in November.
Pinchgut Opera's rich and resourceful film showcases Barbara Strozzi in a feast for eyes and ears.
Robert Plane does British music four favours in a treasure trove of discoveries.
Social distancing and disinfectant help tell a tale of love, madrigals and gender politics.
Limelight’s critics have picked their 25 favourite recordings from the last 12 months.
Asher Fisch returns to lead a bold and diverse season that relies on WASO’s own musicians.
Find out what's on stage and streaming online in November from Limelight editors Jo Litson, Angus McPherson and Clive Paget.
Rare outings score over same old-same old, new wine in old bottles, and do we really need more Beethoven?