Review: Humperdinck: A Life of the Composer of Hänsel und Gretel (William Melton)
There’s more to Humperdinck than witches and gingerbread.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
There’s more to Humperdinck than witches and gingerbread.
What to spend your Christmas money on? Try some Trifonov, or take a punt and discover Thalberg, Eccles or Paul Ben-Haim.
A penetrating, frequently revelatory start to a promising new series.
Lip-smacking music-making in BPO’s first fruits with Petrenko.
Latvian or Canadian? Who cares when the music’s this good.
A new "Symphony" by Paul Dean will form the centrepiece of a three-city tour.
A three-month program but with an admirable commitment to 100 percent streaming.
The company celebrates 20 years with impressively bold offerings and major players.
The American mezzo on the team spirit behind a new recording and a role to get her teeth into.
The Gesualdo Six's conductor explains what makes an award-winning program for an all-male sextet.
The violinist discusses Elgar and Vaughan Williams, and why we don’t hear their sonatas nearly often enough.
The violinist discusses his changing approach over the years and his "lust" for collaboration.
Lisa Gasteen and a cast of young singers offer unprecedented insight into the world of opera in this must-see documentary film.