Clive Paget picks 18th and 21st century winners, and then puts three rings on it.

The British conductor talks about his latest release, which is Limelight’s Recording of the Month in May, a collection of moreish French lollipops but also much, much more.

In this month's Did You Hear column, we reveal how the superstitious Sicilian proved no match for the Mephistophelean poet.

For week two, Clive Paget travels from his living room to New York, London, Berlin and back to Oz.

Clive Paget talks to a pianist who has climbed 20th-century music’s Everest – and more than once.

The converted railway works is Australia’s largest multi-arts centre and COVID-19's biggest arts scalp to date.

In the first week of our new series, Clive Paget highlights the pick of a bumper operatic crop to watch online.

A candid assessment of those who went down and those who got off scot free.

The gifted American cellist, 76, is mourned by all who knew and loved him.

Barrister by day, virtuoso by night, Australian-born Paul Wee has taken time out from the bar to record two of the most daunting works in the Romantic repertoire. Clive Paget talks to him about his singular career path and his fascination with the eccentric and reclusive Charles-Valentin Alkan.

Tonight's online premiere of four short operas by four Australian women composers is a major achievement for Australia's most inspirational modern opera company.

Now in its sixth year, Fanfare offers a unique opportunity for budding young composers from 12 to 21.