Melbourne Digital Concert Hall launches Faces Of Our Orchestras Festival
Fourteen concerts in eight days aim to support musicians affected by the COVID-19 crisis.
Clive Paget is a former Limelight Editor, now Editor-at-Large, and a tour leader for Limelight Arts Travel. Based in London after three years in New York, he writes for The Guardian, BBC Music Magazine, Gramophone, Musical America and Opera News. Before moving to Australia, he directed and developed new musical theatre for London’s National Theatre.
Fourteen concerts in eight days aim to support musicians affected by the COVID-19 crisis.
Yende and Flórez lend bel canto star power to some rare Rossini.
Dusapin’s glittering, raw-edged score delivers visceral theatre.
The veteran Queensland Symphony Orchestra musician recalls the memorable moments of nearly five decades in Brisbane.
The Debussy bible, maybe, but the man remains an impression.
While new funding has been allocated for some, all companies will face cuts of 30 percent over the next 12 months.
From eccentrics to recluses, these musicians positively thrived on social distancing. (Image courtesy of @mozart____ on Twitter)
The conductor talks to Clive Paget about his recording of Mahler's “Symphony of a Thousand” with the Philadelphia Orchestra, Limelight's Recording of the Month in April.
The German violinist is in self-quarantine, but has positive messages for her fans.
Luigi Russolo’s crazy crackling and hissing machines even got Igor Stravinsky going.
Melodiya opens a unique window on time.
On March 22, Stephen Sondheim turns 90. Clive Paget traces the career of the legendary composer and lyricist, who is one of the most important and influential figures in 20th-century musical theatre.
Composer Michel Van der Aa has created a unique "pop" album featuring the Aussie songstress.