Swings and roundabouts as Queensland Ballet returns to Liam Scarlett’s steamy adaptation of a classic tale of sexual intrigue.

Steve Martin and Edie Brickell's bluegrass musical is a heart-on-sleeve winner with everyone on stage a quadruple threat.

The Sydney Fringe Festival gets off to a cracking start with a sleek, elegant work celebrating bodies, light and space.

Alice Topp’s first full-length ballet, Butterfly Effect, inspired by Madama Butterfly, is about to premiere at West Australian Ballet.

The program structure could stand a refresh, but the three works included here offer plenty of bang for your buck.

Danielle de Niese is incandescent in her role debut in a new OA Carmen that's great on character, great on relationships.

There are endings and something of a beginning hovering around Queensland Ballet’s Triple Bill.

On the 150th anniversary of Carmen, we talk to director Anne-Louise Sarks about her new production for Opera Australia.

Overflowing with musical and visual delights, this Fairy Queen is a gorgeous night in the theatre.

The connection between being and seeing – physically and metaphorically – shapes Bangarra's brilliantly illuminating new work.

John Neumeier’s Nijinsky is a ballet that with each viewing and hearing shows something new and precious.

In times when we're not quite sure what we're allowed to laugh at, The Producers delights in being an equal-opportunity giver of offence.