An Old Masters Mystery
Jonathan Biggins talks to Deborah Jones about his new novel, Near Death in Venice – the first in a cosy crime series.
Deborah Jones is a writer specialising in dance. A former long-serving Arts Editor of The Australian, she is currently the newspaper’s national dance critic and also reviews musical theatre and theatre. She is the Sydney correspondent for London-based Opera magazine and Vancouver-based Dance International.
Jonathan Biggins talks to Deborah Jones about his new novel, Near Death in Venice – the first in a cosy crime series.
Germany’s leading classical company brings its justly admired production of Petipa’s great ballet to Melbourne
An agreeable evening of dance fails to live up to the challenge.
A short, sharp, shock of a program is terrific for contemporary dance aficionados and newcomers alike.
Frank Loesser’s musical comedy about climbing the workplace greasy pole is sadly dated.
This triple bill lives up to its name with driving force and exceptional performance.
Over-hasty storytelling mars this ballet version of Shakespeare’s tragedy.
Queensland Ballet takes its audience to Europe for a triple bill with personal meaning.
Shechter is a festival favourite in Australia but this time around, he disappoints.
A gala program avoids most of the usual suspects and introduces new faces.
Glamour trumps intensity in choreographer Jenni Large’s new work.
Australian soprano Lauren Fagan is commanding attention overseas. She tells us about the roles that will be key to her future, and why playing soccer has helped her opera career.
A tribute to Dharug culture is touching but uneven.