Review: The Producers (Joshua Robson Productions & Hayes Theatre Co.)
In times when we're not quite sure what we're allowed to laugh at, The Producers delights in being an equal-opportunity giver of offence.
Deborah Jones is a writer specialising in dance. A former long-serving Arts Editor of The Australian, she is currently the newspaper’s national dance critic and also reviews musical theatre and theatre. She is the Sydney correspondent for London-based Opera magazine and Vancouver-based Dance International.
In times when we're not quite sure what we're allowed to laugh at, The Producers delights in being an equal-opportunity giver of offence.
This month’s performance highlights from ABC Classic, independent radio and streaming.
Pina Bausch's works are still remarkable, but the distance between the late choreographer and the company bearing her name is palpable.
Based more closely on Prosper Merimée’s novella than Bizet's opera, Johan Inger’s Carmen gets inside Don Jose’s head – and it’s a dangerous place.
An evening of highs and lows at Adelaide Festival. Sometimes, writes Deborah Jones, things just don't work out.
Concerned with how we manage to live right now, A Quiet Language sends joyful shafts of light into the darkness.
Seann Miley Moore glitters hard in John Cameron Mitchell and Stephen Trask’s cult musical.
Immaculate work from a company of 12 but there may be less to The Chronicles than meets the eye.
The recent death of Eileen Kramer, aged 110, adds further poignancy to a contemporary dance work inspired by ancient myth.
Joy and wonder among the fun and laughter in Opera Australia's fairytale 2025 season opener.
Though there are signs of belt-tightening, there's plenty to look forward to and anniversaries to celebrate in the Australian arts in 2025.
What do our opera and dance companies have on offer in the year ahead?
Elegance in spades, but little electricity between the leads in this Shanghai Ballet showcase choreographed by Briton Derek Deane.