The program structure could stand a refresh, but the three works included here offer plenty of bang for your buck.

Danielle de Niese is incandescent in her role debut in a new OA Carmen that's great on character, great on relationships.

There are endings and something of a beginning hovering around Queensland Ballet’s Triple Bill.

On the 150th anniversary of Carmen, we talk to director Anne-Louise Sarks about her new production for Opera Australia.

Overflowing with musical and visual delights, this Fairy Queen is a gorgeous night in the theatre.

The connection between being and seeing – physically and metaphorically – shapes Bangarra's brilliantly illuminating new work.

John Neumeier’s Nijinsky is a ballet that with each viewing and hearing shows something new and precious.

In times when we're not quite sure what we're allowed to laugh at, The Producers delights in being an equal-opportunity giver of offence.

This month’s performance highlights from ABC Classic, independent radio and streaming.

Pina Bausch's works are still remarkable, but the distance between the late choreographer and the company bearing her name is palpable.

Based more closely on Prosper Merimée’s novella than Bizet's opera, Johan Inger’s Carmen gets inside Don Jose’s head – and it’s a dangerous place.

An evening of highs and lows at Adelaide Festival. Sometimes, writes Deborah Jones, things just don't work out.