The Australian Ballet’s stylish, sophisticated triple bill raises the bar.

A swirling poem of struggle and survival expressed vividly in dance, multiple languages, music and the moving image.

Marg Horwell is increasingly in demand from international luminaries. We talk to the Australian set and costume designer about her career.

The concept of the guilty pleasure could have been created just for this sprawling, opulent ballet.

Swings and roundabouts as Queensland Ballet returns to Liam Scarlett’s steamy adaptation of a classic tale of sexual intrigue.

Steve Martin and Edie Brickell's bluegrass musical is a heart-on-sleeve winner with everyone on stage a quadruple threat.

The Sydney Fringe Festival gets off to a cracking start with a sleek, elegant work celebrating bodies, light and space.

Alice Topp’s first full-length ballet, Butterfly Effect, inspired by Madama Butterfly, is about to premiere at West Australian Ballet.

The program structure could stand a refresh, but the three works included here offer plenty of bang for your buck.

Danielle de Niese is incandescent in her role debut in a new OA Carmen that's great on character, great on relationships.

There are endings and something of a beginning hovering around Queensland Ballet’s Triple Bill.

On the 150th anniversary of Carmen, we talk to director Anne-Louise Sarks about her new production for Opera Australia.