Review: A German Life (Adelaide Festival)
This Australian premiere rightly challenges us to the point of discomfort, raising more questions than it answers.
February 24, 2021
Gordon Forester
Articles by Gordon Forester
Review: Gaslight (State Theatre Company South Australia)
In a masterstroke of deceit, director Catherine Fitzgerald paints a heavy picture on a light canvas with her production of Patrick Hamilton’s 1938 thriller.
September 9, 2020
Review: Dance Nation (State Theatre Company South Australia, Belvoir & Adelaide Festival)
A coming-of-age dance contest with a massive dose of teenage angst.
February 26, 2020
Review: End of the Rainbow (State Theatre Company South Australia, Adelaide Cabaret Festival)
Helen Dallimore delivers the gold at end of the rainbow.
June 5, 2019
Review: Animal Farm (State Theatre Company South Australia)
An intimate, Herculean one-man revolution.
March 25, 2019
Review: Zizanie (Adelaide Festival, Meryl Tankard & Restless Dance Theatre)
A delightful, mischievous, intoxicating celebration of difference.
March 17, 2019
Review: Out Of Chaos… (Adelaide Festival, Gravity & Other Myths)
A circus spectacular of acrobatic virtuosity.
March 6, 2019
Review: Uncle Vanya (Adelaide Festival, La Mama)
An immersive and magical experience where Chekhov meets Heysen.
March 4, 2019
Review: Oysters (Adelaide Fringe)
A gritty evening with Brahms reveals a theatrical pearl.
February 22, 2019
Review: Gulliver’s Travels (Adelaide Fringe)
Gulliver upside down and inside out – a Lilliputian tale with a big heart.
February 18, 2019
Review: Games by Henry Naylor (Adelaide Fringe)
Games by Henry Naylor is a powerful intrigue based on a true story.
February 18, 2019
Review: The Gods of Strangers (State Theatre Company South Australia)
A grand undertaking of migrant stories.
November 18, 2018
Review: Sense and Sensibility (State Theatre Company South Australia)
A new take on an old classic reveals uncommonly good gossip as currency.
May 10, 2018