Review: Us/Them (Adelaide Festival)
This Belgian play about the Beslan school siege uses a unique perspective to try to make sense of the incomprehensible.
March 10, 2018
Gordon Forester
Articles by Gordon Forester
Review: Angelique (isthisyours?)
Compelling world premiere delights and surprises.
October 16, 2017
Review: The End (Keiichiro Shibuya & Hatsune Miku, OzAsia)
Remarkable Australian premiere of a unique Japanese virtual opera.
October 4, 2017
Review: Hotel – Part 2 (W!LD RICE, OzAsia Festival)
A solid finish to a Singaporean epic.
September 30, 2017
Review: Hotel – Part 1 (W!LD RICE, OzAsia Festival)
Amenity rich Australian premiere a five star Hotel.
September 30, 2017
Review: Dahlesque (Adelaide Cabaret Festival)
Elise McCann's new show is a magical meeting of Roald Dahl's creative genius and real life.
June 19, 2017
Review: Vigil (Adelaide Cabaret Festival)
Brilliant premiere of a Steve Vizard-Joe Chindamo show written for Christie Whelan Browne.
June 13, 2017
Review: Backbone (Gravity & Other Myths, Adelaide Festival)
Magnetic world premiere, a perfect combination of fluidity, mettle and danger.
March 16, 2017
Review: Intimate Space (Restless Dance Theatre, Adelaide Festival)
Dynamic world premiere is a close encounter that charms and disarms.
March 4, 2017
Review: Trainspotting (Andrew Kay & Associates & Adelaide Festival Centre)
An off the rails, porcelain bus ride, exposing the worst of humanity.
February 18, 2017
Review: Review: Exquisite Corpse (Zephyr Quartet)
★★★★½ Extraordinary world premiere shifts the boundaries of Surrealism game. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
March 8, 2016
Review: Review: The Young King (Slingsby)
★★★★½ World premiere reveals the magic and mystery of beautiful things. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 27, 2016
Review: Review: Go Down, Moses (Socìetas Raffaello Sanzio)
★★★★½ Technically brilliant, conceptually challenging and wholly engaging. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
February 26, 2016