Triumphant return to keyboard in Beethoven and Schumann.

Hollywood did exotic better than Khachaturian, but no one does horror like Shostakovich.

Davis’ and Müller-Schott’s Knight Errant portrait doesn’t err.

A teacher and his wife-cum-pupil speak in similar voices.

Jordan’s non-period band offers Beethoven in a hurry.

Gerhardt’s solo Bach shrugs off the straitjacket for a set to live with.

Wilson reveals the other side of a British film composer.

Two superstars plumb the depths to poetic effect, despite the name.

The Resurrected Minnesotans excel in Mahler’s Symphony No 2.

Nelsons’ triumphant Shostakovich series continues in a blaze of glory.

Yuja Wang proves that the hype (for once) is justified.

Endless inspiration from out of the Habsburg Boondocks.