Review: Berlioz: Roméo et Juliette & Cléopâtre (Strasbourg Philharmonic, John Nelson)
Nelson and his Strasbourg forces share the love with Romeo and Juliet.
Greg Keane has been a Limelight contributor since 2008. He is a copywriter and has also lectured in music appreciation in the adult education sector. He has a prodigious collection of LPs and was previously a producer (aka the Dark Lord of Vinyl) of ABC Classic FM.
Nelson and his Strasbourg forces share the love with Romeo and Juliet.
Petrenko and his BPO create a Shostakovich symphonic trilogy for the ages.
Melbourne Chamber Orchestra’s recorded debut ticks every box.
Wilson's Sinfonia of London revel in 20th-century string favourites.
Dazzling light and darker shades from Malcolm Arnold.
The Sydney Symphony Orchestra inaugurated its 2023 season and covered itself in glory, revelling in the Concert Hall’s enhanced acoustics.
Danish prodigy’s mountain climb is at times an uphill battle.
The orchestra was in fine fettle for this anniversary concert, while legendary pianist Roger Woodward was on top of every bar in Prokofiev's Piano Concerto No 3.
Benedict and Tedeschi revel in a viola’s take on Debussy and Ravel.
Our reviewers and readers have voted for the Australian and international artists who raised their heart rates in 2022. Their votes have been tallied, and we are thrilled to announce our winners.
Unfamiliar Vaughan Williams reveals a treasure trove of ideas.
Dudamel and the LA Phil conquer the New World and two others as well.
Komachi and Callaghan traverse Vaughan Williams' violin output from the trenchant to the idyllic.