The Australian Ballet's dancers make Johan Inger’s masterpiece their own, meeting his challenge to find the human in its ugliness and beauty.

“This is me. This is my world!” Tim Draxl puts a new and personal spin on Sunset Boulevard's cynical protagonist.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Barrie Kosky’s brilliant makeover of Brecht, Weill and Hauptmann’s flawed masterpiece leaves you wondering how it could be performed any other way.

Rear Window meets Cabaret in this joyous and sometimes achingly romantic exposé of desire, intimacy and love.

Making the most of a spectacular setting, Stephen Page’s first work since leaving Bangarra is surprisingly intimate given its grand scale.

Presented in Australia for the first time, Robert Lepage’s puppetry-based staging of Stravinsky’s short works is as brilliant as ever.

A marvel of stagecraft, Mario Banushi’s semi-autobiographical meditation on grief is as poetic as it is horrific.

Anne Cawrse and Kate Llewellyn’s song cycle is a transcendent work, its world premiere hopefully the first of many more performances to come.

Exquisite singing and a feeling of déjà vu mark the return of Mozart’s seminal opera after a 30-year absence.

Ahead of an Adelaide Festival performance of their two song cycles, Nigel Westlake and Lior talk about their collaborative process and what comes first: the words or music.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.