This work may be small in scale, but it is a masterpiece that does justice to the father of modern science.

This festival is an extraordinary achievement in improving accessibility to opera and the arts more broadly.

Jonas Kaufmann discusses playing Lohengrin, losing himself in a part, and how to sing pianissimo for sustained periods.

After its huge success last year, Opera Queensland's ten-day outback Festival returns. We talk to the festival organisers and headline performer Greta Bradman.

Kunstkamer is a masterpiece and this production by The Australian Ballet exceeds all expectations, proving a triumph for AD David Hallberg and the dancers.

The Cooperative's no-frills Figaro gives the audience the opportunity to focus on musicianship and a libretto that is as relevant today as it was when it was written.

As she prepares to revisit the role of Violetta, the star soprano has fallen in love again with Verdi’s music.

Shaun Rennie discusses his work as Assistant Director on Phantom of the Opera on Sydney Harbour and the challenges posed by torrential rain, wild winds disrupting the use of the cranes, COVID and his unexpected appearance.

The Western Australian soprano discusses her role in WA Opera's Iolanta, which centres the lived experience of the blind and vision impaired community, and the language challenges inherent in opera.

Director Constantine Costi details the challenges and excitements of adapting two works by Weill and Brecht for the tiny stage at Sydney's Old Fitz.

This spectacular co-production of Halévy's 1835 opera couldn't have been grander, while offering a powerful reminder that everyone suffers when hate prevails.

This momentous double bill was yet another must-see event in the opening weekend at the 2022 Adelaide Festival.