Pavol Breslik: healthy mind, healthy voice
The Slovakian tenor discusses returning to the stage post-COVID, why singing Mozart is like servicing your car, his commitment to Slavic music, and his love for his dog Mia.
DAMU-trained scenographer Jansson J. Antmann designed the Czech premiere of Andrew Lloyd Webber’s Tell Me on a Sunday. A presenter on 2MBS Fine Music Sydney and Editor of LaVie in Europe, he was Darlinghurst Theatre Company’s publicist, a regular on ABC Overnights and a regular contributor of features and reviews at Limelight.
The Slovakian tenor discusses returning to the stage post-COVID, why singing Mozart is like servicing your car, his commitment to Slavic music, and his love for his dog Mia.
Krzysztof Pastor discusses his work In Light and Shadow currently being performed in Ballet at the Quarry in Perth, and his popular ballet Dracula.
Jansson J. Antmann talks to Neil Armfield and artist Abdul Abdullah about how religious, sexual and identity politics feature in many of the works in this year's Adelaide Festival.
Richard Wagner said he wrote music with an exclamation point. Isn’t the dramatic soprano the exclamation point? asks Nina Stemme. The world’s reigning dramatic soprano talks to Jansson J Antmann ahead of her much-anticipated return to Hobart for a Wagner Gala with John Lundgren.
In 2018, Estonia celebrated the centenary of its independence by opening the new Arvo Pärt Centre. As the Australian Chamber Orchestra and Estonian Philharmonic Chamber Choir prepare to tour together, we look into the prism of Pärt’s music, with the help of the composer’s son Michael Pärt.
As the original production of Evita returns to Australia for a 40th anniversary season, Jansson J. Antmann talks to the show’s legendary director.