Review: Manon (The Australian Ballet)
Kenneth MacMillan’s masterpiece is back, as potent and sexy as ever, and danced to perfection.
DAMU-trained scenographer Jansson J. Antmann designed the Czech premiere of Andrew Lloyd Webber’s Tell Me on a Sunday. A presenter on 2MBS Fine Music Sydney and Editor of LaVie in Europe, he was Darlinghurst Theatre Company’s publicist, a regular on ABC Overnights and acting Deputy Editor at Limelight, where he is an ongoing contributor.
Kenneth MacMillan’s masterpiece is back, as potent and sexy as ever, and danced to perfection.
The Blue Mountains festival goes from strength to strength with three premieres and an all-star lineup including Reginald Mobley, Lior and Nigel Westlake.
On the eve of the New York City Ballet's spring season, conductor Nicolette Fraillon discusses her preparations for a program of Balanchine's works.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
They say it takes a village to put on a show, let alone a festival. That’s certainly true when it comes to Handa Opera at Millthorpe.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
As Guys & Dolls opens on Sydney Harbour, Musical Director and Supervisor Guy Simpson discusses his new arrangement of Frank Loesser’s iconic score.
Bringing together 1,000 volunteers, Stephanie Lake’s one-off, site-specific happening is a hypnotic celebration of community and the joy of dance.
Taut and terrific, Simon Stone’s production of Kaija Saariaho’s final opera is a potent deep dive into what motivates an atrocity.
Dr Lou Bennett and Paul Stanhope’s song cycle about a repatriated baby girl's journey has a mesmerising Australian premiere.
Thomas Edmonds talks to Jansson J. Antmann about life on the opera stage and the people he’s met along the way.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The comic jewel in Opera Australia’s crown is back, reinvigorated by a brilliant cast and a reading of Rossini’s score under conductor Daniel Smith that’s up there with the best.