Vale Tom Stoppard, playwright
Australian theatre companies were early and enthusiastic adopters of Stoppard’s work, some of the most celebrated plays of the modern repertoire.
Jason joined the Limelight team in early 2023 as Digital Editor. He has served as Arts Editor of Sydney City Hub, editor of AUSTAR magazine, an online producer at Fairfax, and has reviewed theatre for The Sun-Herald (2006-2009), The Sydney Morning Herald (2009-2017), The Saturday Paper and Guardian Australia. He was co-founder/co-editor of the audreyjournal platform from 2017–22 and Publications Manager for the 2022 Sydney Film Festival.
Australian theatre companies were early and enthusiastic adopters of Stoppard’s work, some of the most celebrated plays of the modern repertoire.
Peak bodies representing music and drama education professionals say many have "lost confidence" in the NSW Education Standards Authority.
Bristling with theatre scene in-jokes, a new adaptation of Anton Chekhov's classic pecks at the established order.
Salut! Baroque invites you into a world where beauty and invention flourished despite intense political, religious and social constraints.
Australia Institute report warns of “one-way valve” that sees Australians increasingly consume international music while local artists struggle for visibility.
Sadie Frost's celebrity bio is more than just the story of a pretty face.
From birdsong in March to the thunderous roll of Haydn’s London triumphs in October, AHE’s 2026 season traces an arc of discovery and delight.
A musician of enormous skill, Ghouse was equally cherished as a collaborator and mentor.
It may be a little ‘stagey’ and over-polite, but there are pleasures to be had in this gentle drama starring Ralph Fiennes.
This month’s performance highlights from ABC Classic, independent radio and streaming.
Seventeen performers and companies to benefit; Brisbane's Elaine Acworth wins the Rodney Seaborn Playwrights Award.
Coryphée Adam Elmes wins 2025 Telstra Ballet Dancer Award for leadership, dedication and character, on and offstage.
An absorbing, strongly performed and supple work of storytelling – but you'll need to give it your full attention.