Carmen on Sydney Harbour creative team lashes out at OA
“It is beyond our comprehension,” say Gale Edwards, Julie Lynch and Brian Thomson that they aren't in charge of the remount.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
“It is beyond our comprehension,” say Gale Edwards, Julie Lynch and Brian Thomson that they aren't in charge of the remount.
Caricatures of the two Australian actors join other showbiz luminaries on the walls of the famous New York restaurant.
Neil Armfield and Rachel Healy's debut programme has finished with the biggest takings in the Festival's history.
The bass baritone has won the YMF Australia Award, with prizes going to Anna Dowsley, Eva Kong and Andrew Moran.
Ryan Pearson and Baden Hitchcock have joined the Company as part of the Russell Page Graduate Program.
A play lurching from one theatrical disaster to the next has proved a worldwide hit.
Brisbane-born Courtenay Cleary performed at Britain's largest multi-faith celebration at Westminster Abbey on Monday.
Opera Australia performs at Vivid Live for the first time with a concert featuring music by Adams, Dessner and Greenwood.
This restaged Gothic murder ballad thrills with its grisly poetry and razor-sharp production.
The British choreographer and new Artistic Associate at Queensland Ballet seems a real Dream.
Conductor, musicologist, and a leading Rossini expert, who ran the Pesaro Opera Festival, has passed away at 89.
This beautifully conceived interactive installation is an act of remembrance and of gentle protest.
It tells an extraordinary story and is enjoyable on that level, but the play doesn't resonate as great drama.