Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
Glass, Lepage and some Canadian ice-skaters help Jonathan Holloway blur borders in his inaugural programme. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★☆ A deliciously staged comedy filled with laughter yet laced with melancholy. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★½☆ Glorious music-making carries the day despite a clunky plot and static staging. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Royal Shakespeare Company and Tim Minchin's musical wins a record 13 awards at this year's Bobbys.
A beautiful production where gentle comedy makes way for profound sadness.
★★★☆☆ A concert that doesn’t defy gravity but has moments of magic. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The veteran actor talks about playing Malvolio and embracing the shock of the new. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The concert pianist is the subject of one of the entries in this year’s Archibald Prize. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Vizard and Grabowsky ask will the last 114 year-old digger please turn the lights out? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Celebrating 25 years on stage, Angela Gheorghiu comes to Australia trailing a reputation as long as a Diva’s train.
An exceptionally smart, modern translation is daringly irreverent, yet respectful.
Composer Lucy Simon eschewed the bright lights of Broadway to stage her new musical in Australia. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
