Opera Australia and the Really Useful Group will stage Cameron Mackintosh’s new production in September, with Australian performer Josh Piterman in the title role.

A sculptural portrait of the prolific composer was unveiled last night at the Sydney Conservatorium, while Cheetham herself delivered an inspirational lecture.

The eminent actor draws on his 65-year passion for The Bard, delivering a range of speeches and some fascinating insights into the plays.

Australia's great Shakespearean actor discusses his new solo show, why The Bard is so special, and how Shakespeare's writing has become his secular Bible.

Calling all budding composers who'd love to hear their music played by the Australian Youth Orchestra, Queensland Youth Chamber Orchestra or Sydney Youth Orchestra, and broadcast at venues around Australia.

The star pianist discusses the 52 concerts he streamed from his Berlin home when COVID hit, his 15-hour livestream of Satie's Vexations, and his forthcoming digital concert of Beethoven's Diabelli Variations.

Kate Mulvany's new play based on Ruth Park's classic children's novel, set in The Rocks, is the perfect way to reopen the refurbished Wharf.

The professional classical vocal quartet will blend new and old repertoire.

Alexander Berlage's colour saturated, overblown production of Mel Brooks' musical doesn't quite find its groove though there's still much to enjoy.

Musicians Simone Slattery and Gabriella Smart have created aural responses to the Clarice Beckett exhibition at the AGSA, leading to live performances and a recorded soundscape in the Gallery.

Yaron Lifschitz, AD of Circa, explains how Aardman's much-loved animated TV show is playing tricks in Brisbane.

Lise Lindstrom will play Brünnhilde in the first two cycles, while Australians will make role debuts as Brünnhilde and Wotan.