The exciting young composer taking lots of Chances
Alice Chance talks about synesthesia, Eurovision, the musical Fangirls, and her new string quartet for the Bowral Autumn Music Festival.
Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
Alice Chance talks about synesthesia, Eurovision, the musical Fangirls, and her new string quartet for the Bowral Autumn Music Festival.
The in-demand choreographer talks about becoming AD of Chunky Move and his new four-hour work for Dance Massive where two humans are trapped in a world of superseded objects.
A dancer and a percussionist collaborate in an unusual duo, but the work still has more room to move.
A unique, immersive, joyous concert from the world’s first professional orchestra for musicians with a disability.
The veteran actor returns to Bell Shakespeare to star as Molière’s stingy Miser.
The much-loved star will bring The Man. The Music. The Show. to Australia in August with Keala Settle, who appeared with him in The Greatest Showman, as a guest artist.
A magical piece of storytelling that holds you spellbound from start to finish.
A delightful production that is as intoxicating as Papageno's pink cocktail, while acknowledging the darker elements in Mozart's opera.
Luke Styles’ strong score is impressive in this new chamber opera, though the storytelling could be developed.
Shrinking government funding for Ausdance National has led to the decision.
A zany, satirical take on the Victorian gothic romance, with overt nods to the Brontë sisters.
This comedy about an inept amateur production feels a bit predictable, but there’s still fun to be had along the way.
The choreographer tells us about reviving her famous solo work Two Feet with prima ballerina Natalia Osipova now starring.