Review: Beethoven: The Piano Concertos (Stephen Hough)
Brilliant, blazing Beethoven from Hough and Lintu’s finessed Finns.
Michael Quinn is a former theatre director and BBC Radio Drama producer who writes about classical music, opera and theatre. A former Deputy Editor of Gramophone, he is obituaries editor for The Stage, booklet editor for SOMM Recordings, and programming consultant to Northern Ireland’s newest arts centre, The Portico of Ards.
Brilliant, blazing Beethoven from Hough and Lintu’s finessed Finns.
The Thomas Adès-Kirill Gerstein partnership goes from strength to strength.
Han Chen delights in surface detail but misses Thomas Adès’ darker depths.
Leonard Bernstein’s eclectic Mass sounds more contemporary than ever but remains a challenge.
Philip Sawyers’ Fourth Symphony finds an eloquent champion in Kenneth Woods.
Exquisite piano miniatures from a perfect partnership of composer and pianist.
Musical twins: Ólafsson spectacularly reunites Rameau and Debussy.
Karabits’ Weimar forces deliver more incendiary Liszt advocacy.
Donohoe rehabilitates neglected music with revelatory playing.
Strangers no more: Tishchenko’s CD debut announces a remarkable talent.
Melnikov’s probing Prokofiev goes from strength to strength.
First recording of long-lost ballet will please aficionados.
Trifonov proves a passionate Rachmaninov advocate.