Monteverdi’s opera of ancient Rome gets an exciting makeover courtesy of the 1983 film Scarface and Elena Kats-Chernin’s new orchestration.

Middle-aged women are manipulated by the nip-and-tuck industry in this satire, but it’s the jokes that should get some work done.

A clever Jane Austen reinterpretation with laughs and karaoke, this West End hit finally makes its Australian debut.

Baritone Renato Dolcini leads a memorable journey through the Italian Baroque, from Florence to Naples, Rome to Venice.

This classic of contemporary Australian theatre explores the marginalisation and mistreatment of people with disabilities.

The real-life fake heiress who was the subject of a Netflix mini-series is the inspiration for this fast-paced, dialogue-driven play.

Avoiding greatest-hits predictability, the national opera company celebrates a milestone birthday with a satisfyingly thoughtful, ensemble-driven program.

This all-American musical starring Natalie Bassingthwaighte and Rob Mills is set apart by Grammy winner Sara Bareilles’s songs.

This clever new play written by and starring Megan Wilding seems to be a tennis-themed rom-com – until she starts lobbing truth bombs.

A fine cast led by Alison Whyte is kept too busy with comedy to do justice to the tragedy of Tennessee Williams’s memory play.

Mozart’s legendary libertine is back in this modest new production that can’t solve the opera’s misogyny but does justice to its timeless music.

This theatre-meets-cabaret Cinderella villain origin story stops short of turning the stereotypical evil stepmother into a fully rounded character.