Review: Death of a Salesman (GWB Entertainment & Red Line Productions)
Anthony LaPaglia stars in Neil Armfield’s outstanding new production of Arthur Miller’s timeless tragedy.
Patricia Maunder has been an arts journalist since the 1990s, interviewing the likes of Sir Andrew Davis and Renée Fleming, and contributing to publications such as The Age and Opera (UK). Based in Melbourne, she’s passionate about opera, theatre and anything Baroque.
Anthony LaPaglia stars in Neil Armfield’s outstanding new production of Arthur Miller’s timeless tragedy.
Outgoing Artistic Director Richard Mills brings back his star soprano, Jessica Pratt, for a bel canto showcase.
Returning to Melbourne for a concert version of Strauss’s final opera, Simone Young drew out the score's beauty; a little visual pleasure wouldn't have gone astray.
Shakespeare's political potboiler delivered with clarity, purposeful energy and a strong understanding of the text.
Talent, enthusiasm and diversity make this humble production of a classic musical well worth a look.
A short, sharply written double bill showcases great British playwright Caryl Churchill.
Sex comedy meets medical ethics drama in this snappy play about a former kids’ hospital poster child.
This supernatural thriller from the West End is more talk than terror.
In this subtly powerful new monologue, a woman reflects on a year of self-imposed silence.
Bloom lives up to its name, revealing a big heart and warm sense of humour as it explores aspects of life too often ignored.
Lindy Hume’s new production of this early Mozart opera offers much to delight both eye and ear.
As Wicked did for The Wizard of Oz, this new Australian musical gives the Cinderella fairytale a modern makeover.
A cross-country journey of revenge continues the cycle of family violence in this darkly comic American play.