The very model of a modern Gilbert & Sullivan production: nostalgic yet fresh and funny, with cast and orchestra on song.

Tomáš Kantor oozes talent and charisma in this cabaret one-hander about the misadventures of a novice sugar baby.

Adelaide’s contemporary circus troupe Gravity & Other Myths offers a glimpse of what it takes to achieve perfection in an awe-inspiring hour of power.

A recent little indie theatre hit about the hateful online “manosphere” returns, bigger but not better as the new, longer script dilutes this play’s impact.

Performed outdoors, this comic pastiche of several plays by The Bard becomes increasingly frenetic, farcical and unfunny.

This Broadway musical looks lovely but is bogged down in details, dreary songs, underwritten characters and perfunctory romance.

The Australian Museum of Performing Arts opens this month with DIVA, an exhibition from London’s Victoria and Albert Museum.

Playful to a dizzying degree, this rarely performed Australian work merges the life of Lewis Carroll and his nonsense poem The Hunting of the Snark.

Singers and designers learning their craft show they’re already worthy of professional stages with this delightful little operatic confection.

Benjamin Law adapts author Cory Taylor’s final work into a one-woman show that’s honest, humorous and heartfelt.

American composer Missy Mazzoli’s opera is an abstract, elusive look at a 19th-century Swiss woman’s short but extraordinary life.

Alexander Briger conducts this exciting cine-opera take on a Janáček tragedy rarely performed on these shores.