This sparse, solo character study falls slightly short of its bold ambition.

Melbourne’s first major theatre production in ages is an accessible alfresco romp.

In its 40th birthday year, the Melbourne theatre venue and incubator has turned an annus horribilis into an opportunity to evolve.

The Australian conductor discusses her synaesthesia, her new role at Canberra Symphony Orchestra, and her love of butterflies.

Soprano Vida Miknevičiūtė triumphs in this musically and visually exciting season opener.

Benjamin Law’s playwriting debut is a tragi-comic family story full of heart and humour.

A modest yet mostly satisfying production of Beethoven’s only opera.

This fun satire about 1950s domestic bliss is more style than substance.

A humble yet powerful opera about the transgender experience makes its Australian debut.

Only the most mean-spirited Grinch could resist this concert’s majestic joie de vivre.

Superlative singing and David McVicar’s lavish, clever production make a heavenly match.

A wobbly fantasy-versus-bleak reality balancing act for Kander and Ebb’s under-appreciated musical.