Review: Cost of Living (Melbourne Theatre Company)
Forget about your own cost of living issues for a while with this Pulitzer Prize winner about people with disabilities, their carers and the universal need to connect.
Patricia Maunder has been an arts journalist since the 1990s, interviewing the likes of Sir Andrew Davis and Renée Fleming, and contributing to publications such as The Age and Opera (UK). Based in Melbourne, she’s passionate about opera, theatre and anything Baroque.
Forget about your own cost of living issues for a while with this Pulitzer Prize winner about people with disabilities, their carers and the universal need to connect.
Director Gary Abrahams and a talented cast give this well worn Puccini opera an early 20th century Melbourne refresh.
Some of the best if not-so-well-known local theatre talent deliver a minimalist production of Shakespeare’s tragedy to maximum effect.
Two talented singers delighted their audience, skipping along a path less travelled of art songs, opera and musicals.
Compelling performances and Benjamin Nichol’s scripts make this double bill of one-handers more than the sum of its parts.
In the centenary year of Puccini’s death, Victorian Opera offers his rarely performed late work, La rondine.
This Pulitzer-winning comedy about adults studying English in Iran explores identity, self-expression, alienation and belonging through language.
Notable female talent deliver a one-off, semi-staged performance of the contemporary opera based on Lars von Trier’s disturbing film.
Soprano Nicole Car makes a rare hometown appearance for this delicious banquet of operatic favourites.
This classic-with-a-twist interpretation of Tennessee Williams’s masterpiece mostly works, especially Nikki Shiels’s magnetic Blanche DuBois.
Shakespeare’s play is given a feminist shake-up, but this sometimes pedestrian, occasionally unclear take comes undone.
Emerging artists interpret numerous oddballs of history in this handsomely staged production of a forgotten mid-century gem.
Red Stitch’s first mainstage production transfer sees Kat Stewart playing unfair games of love and war in Edward Albee’s classic.