Review: Danielle de Niese (Australian Contemporary Opera Company)
The Melbourne-born international opera star presents a very personal program of surprising stylistic diversity.
Patricia Maunder has been an arts journalist since the 1990s, interviewing the likes of Sir Andrew Davis and Renée Fleming, and contributing to publications such as The Age and Opera (UK). Based in Melbourne, she’s passionate about opera, theatre and anything Baroque.
The Melbourne-born international opera star presents a very personal program of surprising stylistic diversity.
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Marina Prior leads a winning local cast in this bittersweet new musical that won five Tony awards.
This month’s performance highlights from ABC Classic, independent radio and streaming.
An astonishingly good Dolly Parton dupe provides nearly all the style for a jukebox musical otherwise short on substance.
With a different performer cold-reading every night, plus some video trickery, playwright Nassim Soleimanpour’s new show is enjoyably unsettling.
Rhoda Roberts’ monologue about her Olympic boxer cousin is also the story of the First Nations people’s fight for justice and respect.
Sigrid Thornton ages disgracefully in a Pulitzer Prize-winning playwright’s new family dramedy.
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Led by Sheridan Harbridge, this cabaret about the trailblazing Divinyls frontwoman is passionate and entertaining but still a work-in-progress.
A neurodiverse Peruvian cast defy expectations in this radical interpretation of Shakespeare’s play.
A new production of Saint-Saëns’s Old Testament tale respects tradition while refreshing it with sophisticated minimalist design.
Caryl Churchill’s dozens of disparate scenes and countless characters prove an insurmountable challenge.