Review: Counting and Cracking (Belvoir, Kurinji & RISING Festival)
At last, Melbourne gets a chance to see Belvoir's internationally acclaimed epic of Sri Lankan history and the lived experience of its refugees.
Patricia Maunder has been an arts journalist since the 1990s, interviewing the likes of Sir Andrew Davis and Renée Fleming, and contributing to publications such as The Age and Opera (UK). Based in Melbourne, she’s passionate about opera, theatre and anything Baroque.
At last, Melbourne gets a chance to see Belvoir's internationally acclaimed epic of Sri Lankan history and the lived experience of its refugees.
There is an ironic parallel between this musical’s faded movie star lead character and Sarah Brightman’s underwhelming return to musical theatre.
Despite some fine performances, this new production of Puccini’s tragedy feels diminished in Margaret Court Arena.
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