Review: Souvenirs de Aranjuez (Southern Cross Soloists)
SXS's season opener with Slava Grigoryan proved an amiable, enjoyable concert with a fascinating new work for guitar and chamber orchestra by Natalie Nicolas.
Paul Ballam-Cross is a writer and classical guitarist. He holds a Bachelor of Music in Performance and a Doctor of Philosophy, majoring in Musicology. He loves collecting records and will happily spend hours researching everything from the Baroque to noise rock.
SXS's season opener with Slava Grigoryan proved an amiable, enjoyable concert with a fascinating new work for guitar and chamber orchestra by Natalie Nicolas.
QSO's 2021 season opener sparkles like a champagne pop.
Retuning makes a return in gleaming Biber and bass showcase.
All Bach but no barre in agile new Goldbergs.
The Australian Voices finally return with a dazzling showcase of nine new works.
New ensemble Genesis Baroque takes their time with Corelli favourites.
Topology rise to the occasion for a top-shelf performance of favourites.
Troubled textures in French programme of triple-viol transcriptions.
High-class music making let down by grab-bag programming.
Old music, new colours, new players? A winner.
Gallic dreams delight with quintet fireworks, both old and new.
Varied keyboard recital is a match made in paradise.
Led by Adès, Beethoven and Gerald Barry make for unlikely bedfellows.