Review: The Orchestral Music of Jonathan Dove (BBC Philharmonic, Timothy Redmond)
Dove gets his due: Maximum colour and excitement from a post-minimalist.
Phillip Scott is a long-time reviewer for Limelight and US music journal Fanfare. He has written four novels and the scores of several children’s shows for Monkey Baa Theatre Company. He is best known for his work as performer, writer and Musical Director for The Wharf Revue.
Dove gets his due: Maximum colour and excitement from a post-minimalist.
Early piano musings from a neglected symphonist.
Welsh rare bits of chamber music make for an appetising discovery.
Becker’s complete survey of the piano works is a bargain.
Collected symphonies, a Spanish “pianist’s pianist”, and another win for Respighi.
Diverse piano vignettes from a forgotten American composer.
An accomplished start-up, and a pair of problematic masterpieces.
A disc of Russian composers who ended up as collateral damage.
Eloquence reissues the Aussie mezzo’s Mahler while Bridge scrubs up a sci-fi opera.
A well-deserved tribute to a beloved musician.
Ehnes’s lark takes wing, but Manze’s sea remains becalmed.
Price, and at a bargain price: an overdue American discovery.
Vasily Petrenko kills two Russian birds with one Liverpudlian CD.