Review: Bach’s St Matthew Passion (WASO, St George’s Cathedral Consort)
Truncated version of the classic not short on power and passion.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
Truncated version of the classic not short on power and passion.
When intimate goes epic: Gillham glows in Bach originals and transcriptions.
A welcome exercise regime.
Music from the time of Leonardo performed with plenty of genius.
Siobhan Stagg, Asher Fisch and WASO fire on all cylinders in this unusual program.
Chiaoscuros give lean mean account of death-saturated classic.
Jacobs turns his hand to Schubert with decidedly operatic results.
WASO's 2019 season gets off to a fun, flying start.
Henshaw dreams big for his intelligently curated second album.
63-year-old Yo-Yo comes back to Bach.
Elizabethan age returns: A skilful, curious harpsichordist delivers another masterful recital.
Ilić uncovers Reicha’s romantic answer to the Well-Tempered Clavier.
A rare work of genius gets the performance it deserves.