Review: Mozart Symphony No 40 (West Australian Symphony Orchestra)
Siobhan Stagg, Asher Fisch and WASO fire on all cylinders in this unusual program.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
Siobhan Stagg, Asher Fisch and WASO fire on all cylinders in this unusual program.
Chiaoscuros give lean mean account of death-saturated classic.
Jacobs turns his hand to Schubert with decidedly operatic results.
WASO's 2019 season gets off to a fun, flying start.
Henshaw dreams big for his intelligently curated second album.
63-year-old Yo-Yo comes back to Bach.
Elizabethan age returns: A skilful, curious harpsichordist delivers another masterful recital.
Ilić uncovers Reicha’s romantic answer to the Well-Tempered Clavier.
A rare work of genius gets the performance it deserves.
Hapsburg goes HIP with a fascinating recital of rarities.
Terrific premiere recordings of new music for two guitars.
Wolfgang’s Boy’s own story: Maybe it’s because, for all of 15 months, Mozart was a Londoner.
Benjamin Alard embarks on a project of a lifetime.