Review: Rendez-Vous (HIP Company & The Marais Project)
Leading HIPsters from east and west unite for an intimate, revelatory concert experience.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
Leading HIPsters from east and west unite for an intimate, revelatory concert experience.
"Pure magic": Trio Isimsiz embodies the essence of chamber music.
Associate Principal Clarinet Som Howie excels in a showcase helmed by guest conductor Vasily Petrenko.
Performed at Fremantle Prison, Freeze Frame Opera’s Dead Man Walking is a landmark production, opera as catharsis and critique.
A "supremely joyful performance" wraps up WASO's Chamber Series for the year.
A masterful performance of Verdi’s choral masterpiece sets the bar high early and keeps it there for the duration.
Wagner and Debussy made shipshape and a major new contribution to Australia’s choral and symphonic repertoire from Paul Stanhope.
Master of affect and effect, offers juicy climaxes and hummable tunes.
This Brahmsian labour of love receives a posthumous publication.
Dutch violinist Simone Lamsma and WASO deliver a concert worth sending to the memory bank.
Vivaldi's violin concertos made electrifying – risky, imaginative and rhetorically charged.
Rapturous playing by of some of WASO’s finest musicians – who also curated the program.
This collection of essays is a sophisticated meditation on virtuosity itself.