Review: The Power of Music (Sheku Kanneh-Mason)
The star cellist may only be 26, but his story so far comes with plenty of wise words of advice.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
The star cellist may only be 26, but his story so far comes with plenty of wise words of advice.
Folk and classical meshes seamlessly in terrific trios for clarinet, violin and piano.
Shear’s life with Stokowski and Rostropovich makes a fascinating memoir and much, much more.
A philosopher of the keyboard returns with a thrilling take on a Bach masterpiece.
Leading HIPsters from east and west unite for an intimate, revelatory concert experience.
"Pure magic": Trio Isimsiz embodies the essence of chamber music.
Associate Principal Clarinet Som Howie excels in a showcase helmed by guest conductor Vasily Petrenko.
Performed at Fremantle Prison, Freeze Frame Opera’s Dead Man Walking is a landmark production, opera as catharsis and critique.
A "supremely joyful performance" wraps up WASO's Chamber Series for the year.
A masterful performance of Verdi’s choral masterpiece sets the bar high early and keeps it there for the duration.
Wagner and Debussy made shipshape and a major new contribution to Australia’s choral and symphonic repertoire from Paul Stanhope.
Master of affect and effect, offers juicy climaxes and hummable tunes.
This Brahmsian labour of love receives a posthumous publication.