Review: Terminator 2 – Judgement Day (Hear My Eyes)
Pulsing with club beats, Peter Van Hoesen's electronic score rewires a Hollywood action classic.
Pulsing with club beats, Peter Van Hoesen's electronic score rewires a Hollywood action classic.
This month, Cameron Lam’s Australian Art Music playlist on repeat, with looping music across local Classical, Jazz, and Sound Art.
The Sydney Music, Mind and Body Lab's Steffen Herff talks about his work and a new, cutting-edge concert experience informed by neuroscience.
Jack Symonds takes home twin trophies with Anne Cawrse, Chloe Kim and Cathy Milliken also amongst this year's awardees.
Royally complex, controversial and chameleon-like music from Malcolm Williamson.
Artistic Director/curator Tamara Saulwick and sound artist Monica Lim chat to about Chamber Made’s performance and installation series Listening Acts.
Unsound Artistic Director Mat Schulz chats about the festival's record label; an enduring artefact of an ephemeral moment in time.
Mat Schulz, the co-Artistic Director of Kraków’s Unsound festival, unpacks his 2025 program for Illuminate Adelaide.
Eugene Ughetti tells Maddy Briggs about his new work for Speak Percussion, which involves trap machines, flying clay and two live percussionists.
Mindy Meng Wang talks about her latest album with composer David Hirschfelder, and the premiere of her new immersive "cyber opera".
Josten Myburgh, Marlene Cummins and screen composer Samuel Marks among those earning a $10,000 cash prize for career development.
Matthias Schack-Arnott's spatial upgrade to Cage's Sonatas and Interludes honours a radical work with innovation of its own.
Art musicians including Speak Percussion, Rubiks Collective and Erik Griswold receive a boost to take original works around the country.