In a chat with Maddy Briggs, the Dots+Loops co-directors reflect on an incredible decade of post-genre music and art presentation.

Bluey’s Joff Bush, Caitlin Yeo, Amanda Brown, Tim Minchin and Electric Fields in the running for the 2024 Screen Music Awards.

Co-curator Amy McNickle illuminates the ideas behind this year's High Score, a conference connecting musicians and the gaming industry.

The Sydney venue’s latest jam-packed lineup follows through on its promise to place "a stronger focus on Australian arts”.

With a spectacular world premiere, Backstage Music show an unmatched, unwavering commitment to accessibility in the arts.

Composers Elena Kats-Chernin, Elliott Gyger, Cheryl Durongpisitkul and Mindy Meng Wang among this year's finalists.

A perfectly-programmed day of pure experimental fun is a lovely tonic of trial-and-error for musicians and audiences alike.

Eric Carmen took Rach's Symphony No. 2 and made it rock – albeit very softly.

The latest Festival offering from the music box project is a meeting point for music playful, exploratory and collaborative.

The second outing of Brisbane Powerhouse’s ΩHM Festival of Other Music marks Queensland as an international player in left-field, contemporary arts.

Ahead of his Australian tour, the Canadian electronic musician talks his live setup and the philosophy behind his music.

For Dots+Loops’ Playback, the post-genre arts series gave its alumni artists totally free rein. What does that look like?