Bell Shakespeare’s Artistic Director tells us how he became involved with theatre after studying the flute, and why the musicality of the writing drew him to Shakespeare.

This month’s musical journey takes us from the choir stalls of Westminster Abbey to an eerily haunted music hall and winds up with a legendary blast from the past.

The Creative Director of the Four Winds Festival tells us about her second and final program.

My most ambitious collaboration yet with visual artist Sal Cooper is an aural and visual excursion into the musical fugue.

Christopher Gordon explains how he accidentally ended up releasing a double album of his own chamber music compositions, spanning 36 years.

A round-up of our recent news reports.

Two excellent concerts championing ethnic diversity in classic music performance and composition and expanding the chamber music repertoire.

The fantastical world of Purcell's private fantasies reborn.

Quirky local works showcase the QSO’s brass and percussion sections.

Anna Goldsworthy and Andrew Haveron combine Tolstoy and Beethoven to make a powerful statement about obsession and the objectification of women.

In a last minute addition to this year's Festival, Shamray and the ASQ gave an eloquent and refined performance.

Five new composers enter the CoLAB for its second year.