Review: Big Sky (Selby & Friends)
An evening of sumptuous music making, from the plains of South America to war-torn Russia.
An evening of sumptuous music making, from the plains of South America to war-torn Russia.
CIMF Artistic Director Roland Peelman shares why Einstein is his inspiration.
A few inconsistencies fail to blight an otherwise exhilarating conclusion to this year's Festival.
A modern music sandwich, with Baroque and Classical bread, offers something for all tastes.
In an evening of chamber music treasures and musical accomplishments, Maisky reigns supreme.
Mischa Maisky is the aristocratic icing on this opening night musical cake. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Two top string quartets come together in Williams’ Fado-inspired Saudade.
A chat with the man who held his nerve to see Hobart Baroque rise like a phoenix in Queensland. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Conductor Jessica Cottis shares her top essential works of modern Australian music. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In an exclusive interview the Dutch virtuoso talks about Brahms, her Stradivarius and her musical family.
Sixteen ensembles to battle it out in the seventh international chamber competition. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Buy this album on iTunes: Sculthorpe: The Complete String Quartets with Didjeridu – Del Sol String Quartet & Stephen Kent The string quartet was central to Peter Sculthorpe’s output. His last, No 18, had its premiere on his 81st birthday. He undoubtedly liked string instruments because of their ability to sustain long-held notes. Drones play a pivotal part, not only in imitation of indigenous music, but as an aural equivalent to the Australian outback. Strings are also adept at imitating birdcalls, as the third movement of Quartet No 14 shows. Sculthorpe’s quartet writing with its drones and repetitive ostinati contain all of this, and through subtle harmonic and rhythmic juxtapositions he suggests the life with which this landscapes teems. Neither the terrain nor his musical depiction of it is remotely passive. In 2001 Sculthorpe was introduced to a young Aboriginal didjeridu player, William Barton, who asked Sculthorpe to write for him. The composer responded by adding a didjeridu part to some of his orchestral works, notably Earth Cry and Kakadu. He also added the instrument to his existing String Quartets Nos 12, 14 and 16 – the ones with the most significant Aboriginal themes. Later works… Continue reading Get unlimited digital…
The widely-respected Polish pianist will headline the Townsville-based chamber music festival.