Review: Seraphim Trio with Christopher Moore (Utzon Music, Sydney Opera House)
Blending new and old works, this versatile program was given a superb performance; it was a shame that some of the audience weren't able to see the musicians.
Blending new and old works, this versatile program was given a superb performance; it was a shame that some of the audience weren't able to see the musicians.
This year's program features 10 concerts across three days in the beautiful border town.
Cameron Lam looks at the fresh faces creating inclusive and reflective music across the country.
Leah Curtis tells us about her new work The Ground, and the chance to collaborate closely with SXS Didgeridoo player Chris Williams during its creation.
Festival serving a community's growing enthusiasm for chamber music explores the art of communication with a varied program.
The Australian Romantic & Classical Orchestra paired a great classic by Schubert with a lesser-known work by Eybler for a Viennese charm offensive.
Composer Cyrus Meurant did not disappoint when he returned to the stage to perform his music with Andrew Smith and Kirsten Williams, in a display of artistic tenderness.
The second in the series of intimate concerts with members of the ACO shines a light on cellist Timo-Veikko 'Tipi' Valve.
Marvellous performances as part of a curious concept.
The second Sunshine Coast Chamber Music Festival will feature performances from the Orava and Acacia quartets, Deline Briscoe and Chris Williams.
Debut release for Cawrse a long time coming but well worth the wait.
Despite a few last-minute COVID upheavals, this unique festival showcased some ingenious programming, including two impressive new works by Andrew Ford and Anne Cawrse.
Jack Liebeck explains how his life fell into place when a violin was put into his hands at age eight, and how he has programmed the Australian Festival of Chamber Music, where he is the new Artistic Director.