As the Australian Chamber Orchestra prepares to explore it, we examine the groundbreaking music of Wendy Carlos and her trailblazing career.

Is it time to ditch star ratings? Shamistha de Soysa would be happy to see them go.

This month, Tim Mead’s Beauteous Softness does what it says on the can, there’s new music from First Nations composers, and classics from Benjamin Grosvenor and the Brodskys.

The Marais Project takes us on a spine-tingling journey through 400 years of music and leaves the audience begging for more.

John Bell and Simon Tedeschi’s delightful portrait of Mozart is part recital, part cabaret and a must-see for anyone who wants to know the man behind the legend.

3MBS to celebrate Kats-Chernin’s enormous and continuing contribution to Australian music in her 65th year.

A fine, time-collapsing debut on disc by the Ruisi Quartet.

The violist talks about the world premiere of his new work for Blackheath Chamber Music Festival and his first steps in writing for the voice.

Salut! Baroque's Sally Melhuish explains how competition and rivalry became a catalyst for creativity in English music.

Omega Ensemble delivers a perfect showcase of Baroque music featuring works spanning more than three centuries.

Rarely performed early Italian Baroque works beautifully interpreted by early-music specialists of rare talent.

Golden, but not so old: the Brodsky Quartet celebrates its 50th in style.