Andrew Macleod of the Melbourne Symphony Orchestra explains how he fell in love with the flute and piccolo, and the differences in playing them.

Ahead of his first dates in Australia as a solo composer-pianist, Stephan Moccio unpacks the songs and the music that moves him most.

Collection of retro ragtime blues tinged with green and gold is an Entertainer.

Sudbin and daughter sparkle fairy dust over Tchaikovsky’s works for piano.

Geared to “grassroots” projects, the funding package will seek to reverse the 50% decline in the number of NSW music venues in recent years.

95 recipients have received a combined amount of $6 million from Create NSW, with an emphasis on the regional expansion and development of the arts.

Karin Schaupp was born to play the guitar. She explains why the instrument always brings her comfort, and her plan to affirm its chamber music credentials.

The Venezuelan-born pianist, who was mentored by Martha Argerich and Nelson Freire, has become a favourite with Queensland audiences. He discusses his return after a pandemic-induced hiatus.

The pianist talks about her upcoming collaboration with composer Robert Davidson, a work weaving in the voices of pioneering women.

Ilić discovers Joseph Jongen’s delightful preludes… and one or two fugues. 

Ensemble Offspring's Avant Gardens series takes musicians and their audiences out of the recital hall and into suburban backyards.

Delivering an engaging and bold set for a slowly-waking Sydney, the American composer served up more than the marketing copy promised.