Review: Josquin, the Undead: Laments, deplorations and dances of death (Graindelavoix, Björn Schmelzer)
Love it or hate it: this is probably the strangest Josquin disc you’ll ever hear.
Love it or hate it: this is probably the strangest Josquin disc you’ll ever hear.
Melbourne Opera will tour its new Ring Cycle to Bendigo’s Ulumbarra Theatre in 2023 in a national first.
Sex and seriousness collide in an intoxicating album from France's leading young mezzo.
Australian soprano Anna-Louise Cole has just made her role debut as Turandot for OA – and what an impressive performance it was.
This month's features explore electric instruments in classical music, and women and sexual violence in opera. We also interview Paavali Jumppanen, Artistic Director of ANAM, and explore Halévy's grand opera La Juive.
Melbourne’s opera year begins with an impressive second instalment of Wagner’s Ring Cycle.
This dazzling debut from Jeanine de Bique will have you wanting more.
The MSO ushers in the Year of the Tiger with a roar, in a joyous concert.
In the first of three articles, Shaun Rennie offers some fascinating insights into his work on OA's La Bohème and Phantom of the Opera on Sydney Harbour, as well as Bell Shakespeare's new musical The Lovers.
Market girl finds true love in Hahn’s homage to Second Empire Paris.
Opera Australia marks Mozart’s 266th birthday with Figaro, and it would be hard to imagine a better celebration of the composer’s genius.
Director Suzanne Chaundy says her approach to Die Walküre is to tell the story as clearly as possible, exploring the themes without adding tonnes of obvious contemporary relevance.
Students and their teachers can apply for subsidised tickets to Turandot and The Marriage of Figaro in OA's 2022 Sydney summer season.