Review: Suite Mágica (Emily Granger, Andrew Blanch)
Granger’s harp and Blanch’s guitar make for an unusual but perfect match made in musical heaven.
Granger’s harp and Blanch’s guitar make for an unusual but perfect match made in musical heaven.
With something for everyone, Orange Chamber Music Festival's free Cultured program is a love letter to the local community.
Thirteen emerging performers to undertake a year-long program, with mentorships, masterclasses and performance opportunities.
Stellar programming, indomitable performers and a world premiere – the Orange Chamber Music Festival put forward a blazing gala concert.
Celia Craig's oboe is the star on two premiere recordings.
Schumann’s redemptive symphony provides a handy warm-up for SSO’s Himalayan Gurrelieder trek.
Three disparate works which, despite differences in scale and style, beautifully highlight the relationships between soloists and orchestra.
Goldner String Quartet bookends its 30-year farewell tour with concerts in the room in which it has done much of its finest work.
The representation of female, First Nations and Australian composers in Australian orchestral programming has been broken down by Perth-based soprano Hannah Lee Tungate.
Bristling with passion and pathos, Rattle delivers the finest of Kát’as.
Helvi Leiviskä was respected in her day. So how come we are only hearing her music now?
Cameron Lam celebrates five years of curating the Australian Art Music playlist featuring music across Classical, Jazz and Sound Art.
Rediscovering Mrs Messiaen, an overlooked virtuoso.